How does it feel to be a judge on this year’s Wainwright Prize?
A really enriching extension of the work we do at Sherlock & Pages, where we focus on all manner of nature and landscape-related literature. As such, we hope we can bring our passion and the passion of our readers to the awards judging process.
What do you think has been the biggest challenge and change in nature/conservation writing in the last 10 years?
Originality. Of subject, voice and narrative. There has been an explosion in nature writing over the past decade. No doubt the Wainwright Prize has helped foster this literary movement. Commissioning Editors have noticed and are looking for talent. Yet with that enthusiasm and volume of titles comes the challenge to stand out, to bring new ideas and a fresh voice to the shelves.
“A culture of nature fans is what we need.”
Why do you believe nature/conservation writing is so important, both for yourself and others?
A culture of nature fans is what we need. And nature writing is at the heart of that effort, strengthening the passion of like-minded people and bringing new people in. All manner of environmental topics are changing our awareness. With that comes connection and solidarity, in the face of so many challenges.
Do you have a favourite book that you’ve read previously that’s deepened your understanding of the natural world?
The Lost Rainforests of Britain by Guy Shrubsole was a real eye opener as to what can be lost without you even realising, and the magic that awaits discovery if you really look.
Do you have a place you visit that feels intrinsic to your connection with nature?
Zennor, Cornwall. To quote John Betjeman:
“Here where the cliffs alone prevail
I stand exultant, neutral, free,
And from the cushion of the gale
Behold a huge consoling sea.”
What’s your hope for the next 10 years, either for the nature publishing sector or the wider planet as a whole?
To continue to bring in new readers and really add to the conception of a nature fan. People who spend their time, money and energy immersed in and supporting the natural world. I don’t see nature writing as merely a nice escape but as a way to shift the collective consciousness.